the next release for urban myth features two sides of electro boogie heaven from tugg with urban myths trademark rejuvenation of some classic disco joints. the system is already receiving great responses from dancefloors across the world. this 80s classic gets beefed up with some tough drums, and extra effects. on the flip we have another track that will sound familiar, but you aint never heard it like thiiiis! extra keys from urban myths own xavier zubercock trips this version out to make a fresh new mix that will be a welcome addition to all lovers of the original. both sides are also backed with sirens and jet planes that will become invaluable tools to all djs wanting to trick out their sets

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

incl. a huge my my remix !! simon baker has been playing records for over 15 years now. being a true aficionado, his versatile and passionate dj sets are never bound to just one style. he is a firm believer of “if it’s good, play it”. his passion for deep electronic house and techno is further fortified by releases on his own imprint infant records. 2007 has been a brilliant year for simon so far, his fast-growing reputation is proven by current residencies at a number of uk’s acclaimed underground house nights including asylum & technique at the warehouse in leeds, and ddd at the key in london. apart from connaisseur, simon has recently been signed up to german top house label playhouse, and has also been picked by steve lawler as his worldwide support dj. for us, he opens his pandora’s box of production and delivers a masterpiece of current club music

sven dohse is back to knock you off your feet with two more magnificent tracks. crusher means to break your bones not with violence, but force-wise. this dry bassline just pretends to be tame – like the whole ensemble does in the beginning. but initial conditions change persistently until you awake twirling in a gloomy moment of house. so compulsive it stinks. so offhand it hurts. so self-evident it makes you wanna scream. way after midnight weaver uplifts out of a sentiment of infinity. warm layers of sound come floating above an abyss hardly indicated. time barely scratches the surface of this pocket epic telling you on and on again: tomorrow never comes

bryan jones returns to his own ringside imprint in good form. with him are newcomers j lettow and william alexander from lingo recordings fame. kicking off is make you move a pure funk bomb, complete with stellar piano and horn loops and those trademarked bryan jones drums that never fail. next up is vibe like tonight is the pick of the platter. building up with a tough as nails disco loop that drops into a delicious groove half way through. flip for hold tight a sinfully sleazy hip house jam already receiving massive support from the usual suspects. last is rub on the fat booty, another rap sample fiasco with a bumpy bassline, vocal bits and a very twisted vibe

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

massive hi class dubbin raggae classics / paul st hilaire on the backing vocals !!

twisted tech house and percussive disco grooves fused together by new yorks hottet new producer talent!! this is part 1 of 2

ultraphat teaser track to the upcoming koletzki album... limited pic disc edition ...grab your copy, but be fast, it will never be repressed!!

after several side-projects as sid lerock and gringo grinder, pan/tone is now back with >dr. pyckle and mr. pryde<. >the tear jerker< is one of these elegiac anthems, building up more and more in a way you never want it to end. the flip resurrects the momories of the good old school of cologne - back then, when minimal was still pristine, and the groove as the fundamental element was still wirth something. as a bonus there s a remix by kimberly & clark, accentuating the track with some bleepy bliss, and loads of 808

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

this dutch based production team comes to king st. with a solid lovely soulful yet energetic ep. the thick rhythms & twangy guitar of believe is followed by the handsome & deeply basslined cover story, a nice flowing light jazzy piano keyed & guitar riffed instrumental. switch is up next delivering more cool house lounge effect with some sexy sax thrown in for great measure. rounding out this debut ep is never let go, a moody, almost cinematic, deep lounge & house rhythmed production that will cross many genres of club. these all strike a nice balance between the club & lounge bringing a nice even flow to the dancefloor

the never resting dole & kom present three more productions from their wintercollection

the new haiti groove comes with a nice filtered summer house tune by norwegian guys bjorn kaarud and john moss. incl a more electro house proggy flavoured remix by christian sol and a funk driven remix by dj vitamin d. supported by deep dish, jesse garcia and grant nelson

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

with the vulva string quartett and via combination records leichtmann makes a poppy techhouse house sound as a present to the world. sharp - wittedly playful 4 - to - the - floor - beats are dancing to glamours, intoxicating synthie sounds and flirting with deep soundtrack - atmospheres. never too hard, always catchy and definitely extremly seductive

world turns around is another one from the hotmix 5 lp. never on a 12inch to our knowledge. heavy hypnotic acid house. the slight hiss noticable in the intro is on the original recording. why why why (live version) is the fast live version. a balearic classic

ed rec first volume came as digital only, gathering ed banger s back catalogue only. ed rec ii gets physical now being released both on cd and double vinyl. and 12 track compilation only contains exclusive tracks (except mr flash disco dynamite & justice phantom) and once again, and as always, expect the dopest design around from so:me. ed banger has been voted 2006 label of the year in both urbs & xlr8r, and justice vs simian >never be alone< won 2006 mtv music video awards. the family is getting bigger, its high time you join it !

very limited , will be never repressed !! only 1 copy per customer // nur 1 platte pro dj !! already support from richie hawtin , sven väth, troy pierce, michael mayer, damian lazarus, dinky, carl craig, ewan pearson ! >> please check playhouse 137 , which contains the same track !!!

mute drill, chug, whoopa krane, the same procedere on platzhirsch limited! it s strong limited !!! ... and it will never be repressed , last copies on stock !!

soulful breaks supremos napt return for contrast pt 2 of 4, following up their widely-acclaimed remix of mj coles so damn into you on contrast pt 1 with a storming collab on get back with the uncontested heavyweight champion of the mc circuit the original jungalistical linguistical and logistical but never egotistical skibadee

fk records is the new label of felix kroecher. the first release comes from himself. straight forward, powerful and without any compromise

catwash presents two french riviera s most representative artists of the electronic scene. b-kult is a resident dj of the klub in nice, and a producer bred with the thick sound of analogical synthesizers. he offers a dark and heady track, led by a powerful beat which will hang on to you. with >feeling<, geda (criminal records) and ludovic vendi impose their minimal and aerial sound and his spotless groove. a moment of pure weightlessness!

tony rohr needs no introduction. his releases on clink, cocoon, dipolter,hidden agenda, and weave speak for themselves. >db revenge< is seductive minimal adventure. rohr begins with his dynamic drum work with flips and edits. tight flanged bass highlights. the hook moves its way up in the mix. all together now jack. this one will be stuck between your ears for months. our remix is courtesy of camea (clink recordings/klickhaus). washing the mix in digital reverb camea continues to tease with original elements worked with her signature dry drum hits. advancing beyond the track grabs for your feet and never touches back down. also included is a bonus track of just the db synth. have fun everyday

4 stomping hardcorers !

at the latest since that lovely cover of german de:bug, our housi is no insider tip anymore, and it s obvious that the guy has to get out on this world s stages with his live show to hump the floors out there. this housemeister, who is he? a never ending, bubbling creative well, making his musical way straight and genuine, special and: his own. he has just released his album >enlarge your dose< on boysnoize records, it seems like someone build in a preprogrammed >producer mashine<, always letting him know exactly what s next. on just one ep, probably nobody ever before used up all of music history in such a fun way -while that wants to be achieved in the first place, maintaining your own style.aycb 05 is like a look book of the most exciting genres of the last 3 decades. who has not witnessed those days should go get this ep fot that exact reason. there s a lot to learn, talk about genre hopping in modern times. double rating and the golden schizo award goes to aycb05

finally this techhouse gem will be released on hi phen and its never been comercially released before mixes come from orque, pulsinger and 100 hz himself absolutely must have record

joaquin durrieu aka paradoxxx is a producer hailing from buenos aries, argentina that already has a reputation for music that is freshly electronic and futuristic in its appeal. this is definitely one of the strongest 3 track eps to surface in the progressive house genre offering an upbeat approach that is all about zooming fx, layer upon layer of synths and melody sweeps anchored by crisp, crunchy beats

paradise records presents >remix pack< !! from now on, every 10 releases of paradise records, we will be happy to provide an exclusive 12inch full of remixes and exclusive versions un-released before on paradise records. first remix pack includes remixes of bodyrox, roger sanchez, nick & danny chatelain & kurd maverick. enjoy .

bryan zentz (aka barada, faculty x, bryan never) is known as the professor amongst the intec posse, a thoughtful individual who takes an intelligent approach to his music. a skilled musician who takes pride in writing rather than sampling the vast majority of his music he leaves many others behind with the breadth of his versatility whether its techno, house, electro, ambient or industrial.

a ground breaking 3 tracks ep that we re not less then proud to present you. kemistrycian is a wonder tune,based on twistery and magically well balanced clever programming that as an obvious goal, to make you move. back 2 basics has a shaking and grooving start, percussive elements from beyond our universe, panned along sounds for your modern listening experience. patch for dogs is a dubbed out track that just never stops. and it sure grooves, like the whole ep.

superphat remixes 2x12inch edition with versions from boys noize, digitalism, oliver huntemann & stephan bodzin, underground resistance !!!

support by chloe & jennifer cardini !! actually, a tragic fact that the two label owners of sub static never enriched the own catalogue with a cooperation, but then again, there was no time, passion, and maybe also the right tracks hadn t come yet. now we found them, the ideal components, and thus this split- ep succeeds to involve both sides of the same medallion in an extremely animated conversation, which also the party benefits from. a real brocksieper starts off the record, with that slinky, permanent groove which everyone likes to ride on, as it s making you look well on the floors which signify the world. then the flipside laxly continues where just hopped, speak: a little bell rings, the beats pose, the shiny side always in the floodlight. however, the mood changes - functionality mutates to emotiveness, the music floats differently. this can only be m.i.a., who still disassembles sounds with never known precision, gets ideas in order, simply generates funk. so the tone is given for the next techno season, thanks for that

the last chapter of a four-piece vinyl remi x series including eight exclusive in-house remixes.but the mobilee crew is still on >back to back< tour and rocking several cities during the next month. the chapter is closed by the label boss hersel f. anja schneider has her way with daniel stefanik s anthem >the bells< and she is definitely >back from the valley< . this tune develops a lot of energy without opening all floodgates.and stefanik—not to be bested—does his magic on exercise one s >debaya< . mobilee seems to be daniels field for rave experiments. you never guess what happens in the final sequence while listening to the first seconds of this track. another old school lesson from a new school producer

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

in 1991 and 1992 he established his position in the emerging techno scene with massiv e hits under his >frequency <, >fix< and >format< aliases. producing with juan atkins and f or kev in saundersons >kms< label, he was one of the few europeans in the original detroit techno producer scene. the story of >planet ultra< ranges back to around 1997, the track was originally to be released on the danish >multiplex< label, but somehow never saw the production status

hervorragender hüpfburgen techno für alle raver, die es elegant & stilvoll mögen. sieben perlen, die alle a-seiten qualität vorweisen!!

after his successful release on pakkas levyt, samuli brings us another highly slamming techno ep. forget trance, never mind house, this is techno in it s most funky form . marko laine remix is more straight forward, with an old school attitude

the heart of hollands leading techno city is pounding as never before and todays electronic music scene is more alive than ever! one of the prime time techno imprints which operates from the core of rotterdam returns to you with more food for thought, dancefloor and decks. patterns presents a new two track winner in a solid series of high-tech plastics

rockin styles that you never saw, spittin rhytmes that crush. fox n wolf are oozing with attitude and they sweat out partytime

2 true corkers, that will set clubs on fire around the globe. his very own definition of jacking & electro flavoured neo rave adventures never sounded so humorous and funky ! fine production technique, rolling grooves and chopped up vocal snippets... inxl unreleased remix from d.lewis & emix

in association with afterdark records and broke recordings, 20k freaks is proud to present the next freakish release, featuring an original production from label artist agent k, alongside jbreak. the original mix is one of those belters that causes a massive stir on the dancefloor and makes every person spaz out as if they ve never heard music before. seriously heavy bass line shizzle from the u.s and if that wasnt enough, hardcore beats screwface steps up for remix duties and does what everyone thought was impossible, by turning it into even more of a stomper and creating a devastating effect! pure synth madness with fierce non stop chugging beats rolling from start to finish

with this the 3rd instalment of hells my definition of house series, two new massive gigolo old-school tracks are resurrected for the pleasure of a modern listening public. this time the blasts from the past are >searchin< by 33 1/3 queen and earth peoples >reach up to mars<. theres a fine line between classic and dated. hell knows this well and selects only for his series 12 >my definition of house< which were groundbreaking when they first appeared and still sound hot to twenty-first centaury ears. so keep your mind and ears open, for you never know what hell will dig up from the basement next. stay tuned for my definition of house pt. 4!

cesare vs. disorder returns to the studio with argentinean partner perro magnetico with this deep and hypnotic four tracker that will help further cement the mean london sound. a deep and brooding first track introduces twisted, down tuned vocals and liquefied layers built inside tight arrangements before a throbbing bass takes the driving seat. a2 holds a playful and quirky electronic excursion >clarete< warming us up with romantic, light melodies. on the b side, ale ross aka perro magnetico drives you deeply into the sunset with two minimal gems that build but never explode. a demonstration of where minimal techno could go from these two young artists.. a must have for all minimal fans / sleeparchive fans!!!

staffan linzatti, wer würde einen musiker mit diesem namen in schweden vermuten? aber genau dort ist er zu hause und produziert feinen, minimalen techno

after the superb ost & kjex ep another norwegian pair comes to dialect – trulz & robin !! >crazy be< and >acid cake<, both licensed from planet noise and a hot new exclusive track entitled >move yer ass guttan<. this brand new track is once again a serious dancefloor contender. driving trippy acidic number taking no prisoner. >crazy be<, catchy vocals on a bed of tight electro beats. dark mean and cold, yet so good. >acid cake< is a insidious mid tempo acid groover that will creep up the back of your mind and never leave

the incredible ibiza mega club hit of 2005 and 2006 returns with two brand new remixes from no one else than martin eyerer and paul woolford! martin eyerer shows us a completely new shade of the track as he puts the distinctive vocals into a driving and very reduced but still kicking drum pattern. definitely something for never ending dc 10 nights. however paul woolford demonstrates that the trentemøller remix of 2004 is not the only version for peaktime action. >wooly< is succeed in giving the track a stark new and fresh kick..

massive tribal techno ep!!